I had to have this novel based on DeMeester’s dark story collection, Everything That’s Underneath, that is by turns disturbing and beautiful.
I wasn’t as impressed with Beneath as I wanted to be, but it is still a worthy horror debut that shows strong talent, a great imagination, and that the women of horror are here to make a name for themselves.
What I liked most about the novel was how many different types of horror it manages to weave into the narrative. There is the very real horror of sexual abuse and how that can impact a person emotionally and physically throughout their life. There is the horror of religion gone wrong, when beliefs become skewed toward something that was never intended. There is pure monster horror with gruesome description and cruelly inventive creatures. There is also great body horror, where it isn’t just the monsters outside, but the monsters inside that wreak havoc.
Those were my favorite scenes—the ones where the monsters and the humans were inextricable from one another. DeMeester has a definite skill for vivid and unearthly description of what is going on inside of people’s bodies. You can really feel it, and it is excellent writing and brilliant horror.
For me, the book dragged in the second half, and I had trouble understanding all of the decisions that the two main characters, Cora and Michael, made.
Rather than the characters making decisions that would direct the course of the narrative, it seemed like the narrative of this book was really the one in control. To me, that makes for a more amorphous, purposeless feeling narrative, which, while building on the dreamlike, ethereal quality of the writing (which I loved) left me feeling unanchored and waiting for something to grab hold of.
If you are a fan of strange monster stories, great writing, and body horror, this is a great book to pick up. I definitely recommend her short story collection too!
Associate editor, amateur photdographer, bibliophile, and occasional sleuth.