I have to say, I was put off a bit by the cover on this book at first. It is fairly disturbing! The image haunted me, and it reminded me of when I was younger and I would see posters for scary movies at the movie theaters, especially all the Child’s Play sequels, and I was so scared of that creepy doll on the poster that I didn’t watch those movies for ages. Turns out I really like the Chucky movies.
This book was like that for me. The cover is scary, and the stories inside, though they too are scary and dig into different kinds horrors and fears, I found that most of them resonated for me and made me want to read more, want to be a part of the scare instead of running away from it.
Before this, I hadn’t yet run into Christa Carmen’s work, which is a bit surprising seeing as she has had her short fiction appear in places almost too numerous to count. This debut collection is well-earned.
Perhaps this is true of most stories, but as I read this collection, I was often drawn to how the stories revolved around relationships—a marriage just begun, young friends who trust each other, a misunderstood woman cast out from society, a girl trying to get her boyfriend to believe her, a babysitter and the kids who trust her. How these relationships evolve, bend, and sometimes break is the crux of each story, and Carmen offers an interesting peek into the minds of her characters through their interactions and reactions. I found the characters to be mostly believable even when the shocking turns were revealed because of how their personalities had been crafted.
Favorites for me included “Red Room,” “Lady of the Flies,” “Liquid Handcuffs,” and “The One Who Answers the Door.” Overall, I’d probably give the collection 4.5, but I’m rounding up!
This one needs to be added to the list for anyone who is looking for new and interesting voices in horror fiction. I think it would also be a great book for the Halloween season as some of the stories are geared toward that theme, so I’ll be recommending it again at that time next year. Overall, it is a heartfelt, dark, striking, and original collection.
My thanks to Unnerving Press for sending me and the Night Worms copies of this one to read and review.
For fans of the modern stylings of Haruki Murakami, Etgar Keret, Carmen Maria Machado, Karen Russell, and Kelly Link, comes another uniquely brilliant voice in short fiction, and one we are lucky to have.
Most of the stories here center around themes of gender and power dynamics, as well as the problems, loneliness, and loss of true feelings and intimacy that can go along with being in relationships.
Motoya has a strangely specific ability to find a very realistic situation, like a married couple losing touch with each other, and turning it on its head, introducing a completely absurd component that shifts the story into the realm of heightened realism, or even all the way to magical realism.
I loved every story.
There is something really special about the way Motoya focuses on the women in her stories. Mostly, her protagonists are women who are stuck in some type of situation—unhappy in their marriage, with their life, with who they are becoming, with how the past is affecting them. They very clearly see how the problems are rooted deep in the threads of their daily lives, but it is shaking the issues that prove difficult.
How do you get back to a relationship with you husband when he doesn’t notice that you’ve become a bodybuilder, insane muscles rippling over your body? How do you stay independent and keep your life separate from your life as a couple when you notice that day by day your face is beginning to look more and more like your husband’s? What about if as a boyfriend, you only wanted to spice up your relationship and instead your girlfriend challenges you to a duel?
These are the types of stories where you just have to let the weird wash over you. I love becoming immersed in these other worlds where at any moment, the strangest things might happen—people can fly away using umbrellas, turn into flowers, cry blood.
My favorite three stories in the collection for me were: “The Lonesome Bodybuilder,” “An Exotic Marriage,” and “The Women,” though I really loved them all. I would adore to read a novel from Motoya!
My huge thanks to Soft Skull Press for sending me this one to read and review, and I also want to thank them for their continued commitment as a company to publishing unique and brilliant voices.
Short fiction isn’t as easy as it sounds. Sure, any old monkey can bang out a couple thousand words and call it a story, but to make characters breathe, worlds come alive, and themes resonate is no short order. And flash fiction: to create a well-rounded story— beginning, middle, and end—in so few words is even more impressive. This slim volume of horror tales does all that, and at the end of each story, you’ll feel your heart pumping, getting that great rise of tension and release that we all come to horror for. I was more than impressed.
His stories dive right in, pulling the reader into a place and a character’s mind. They don’t meander; they get right to the point—and then, BAM! A curveball. Most of the stories swerved to places I didn’t expect, wrenching the knife in at the last minute and really getting to the dark depths of human nature, myths and lore, and creatures you’ll never see coming.
Each one was truly a treat, a delicious vision, a fully-realized story that I found myself wondering about and wanting to spend more time with. That’s how you know short fiction is doing its job and really getting to you.
If I had one nit-picky thing to say, I think the stories were sometimes a bit overwritten—too many unnecessary adjectives and over-explaining of easy things (sometimes you can just say, “he walked down the street” and it actually works better than a flowery, pretty sentence).
I definitely look forward to whatever Demmer writes next. He has a lot of talent as a writer and a great mind for horror. What a treat!
My thanks to the author and Unnerving Press for sending me a copy of this one to read and review.
I read a lot of Halloween-centric books this season and this one definitely tops the list. Lisa Morton is not only a great writer, but her intricate knowledge of the holiday, the myths, creatures, and then the pure imagination she spills onto the page makes this a perfect treat for the season we horror fanatics look forward to (and to be honest, celebrate) all year long.
Each of these stories goes deeper than your average tale of Halloween night. These are stories steeped deeply in the lore of traditional Halloween—where it originated, the different lore associated with different places and their Halloween night traditions, and what it has all come down to today. Where it really gets interesting is how she mixes that lore with today's Halloween, and what comes out is this strange, terrifying, and darkly magical confluence of legend and truth.
My favorites were "The Samhanach," "Summer's End," "Sexy Pirate Girl," and "The Enchanted Forest," but I don't think there's a dud in this collection. I really enjoyed them all and wanted to live in them as long as I could. I found the stories to have great empowering characters who succeeded, lost, and truly felt. And I felt along with them.
Halloween can't come soon enough again!
So choose your treat—fun size or full size—that is, if you're brave enough to walk up the sidewalk, past the grinning jack-o-lanterns, skirting the dark shadows. Or maybe you'll just get a trick instead...
I can't wait to read one of Morton's nonfiction books and learn more about Halloween. That's my goal for next year!
I had to have this novel based on DeMeester’s dark story collection, Everything That’s Underneath, that is by turns disturbing and beautiful.
I wasn’t as impressed with Beneath as I wanted to be, but it is still a worthy horror debut that shows strong talent, a great imagination, and that the women of horror are here to make a name for themselves.
What I liked most about the novel was how many different types of horror it manages to weave into the narrative. There is the very real horror of sexual abuse and how that can impact a person emotionally and physically throughout their life. There is the horror of religion gone wrong, when beliefs become skewed toward something that was never intended. There is pure monster horror with gruesome description and cruelly inventive creatures. There is also great body horror, where it isn’t just the monsters outside, but the monsters inside that wreak havoc.
Those were my favorite scenes—the ones where the monsters and the humans were inextricable from one another. DeMeester has a definite skill for vivid and unearthly description of what is going on inside of people’s bodies. You can really feel it, and it is excellent writing and brilliant horror.
For me, the book dragged in the second half, and I had trouble understanding all of the decisions that the two main characters, Cora and Michael, made.
Rather than the characters making decisions that would direct the course of the narrative, it seemed like the narrative of this book was really the one in control. To me, that makes for a more amorphous, purposeless feeling narrative, which, while building on the dreamlike, ethereal quality of the writing (which I loved) left me feeling unanchored and waiting for something to grab hold of.
If you are a fan of strange monster stories, great writing, and body horror, this is a great book to pick up. I definitely recommend her short story collection too!
This is one for the gothic lit lovers.
With a blend of classic and contemporary short stories and poetry all centered around the theme of hauntings, there is a lot to love in the creaking old hallways, dusty bookshelves, and dark corners where sputtering candles don’t quite reach of this anthology.
Haunted house is just about my favorite sub-genre, so I knew I had to get this one when I saw the brilliant cover and some of the great writers featured in the collection. I was also really impressed with how many women horror authors were featured here.
But it isn’t just houses that can be haunted, it can be any and every place we inhabit, down to the very bodies we live in, the paths we take in life (and death), and even the other people we surround ourselves with. Hauntings are everywhere.
And this couldn’t be more evident than in the dark and stormy stylings of these stories. Taking up the mantle of the classic gothic style, I found that these stories and poems were often about relationships, love gone wrong and the haunted nature of human suffering.
Some stories build on classic tales, such as that perennial classic folktale “Bluebeard” or Edgar Allen Poe’s The Fall of the House of Usher. Some are set in modern times, some are period pieces, all are wholly original and will shock you with a cold breath of air.
I found the poetry to be a bit weak overall, but the few that worked really worked. The inclusion of this different format of writing was a nice touch, especially in between the stories.
My favorite pieces were:
“The Shadows on the Wall” by Mary Wilkins Freeman, a true gothic work I'd never read before.
"Bloodbuzz of Ravens" by Sara Tantlinger, an evocative and darkly brilliant poem.
“The Call of the House of Usher” by Annie Neugebauer, a nice homage to Poe in style and substance.
“Miss Emmeline’s Mirror” by Catherine Cavendish, it'll make you think twice about mirrors!
Overall, I really enjoyed this collection. If you like gothic works, this is a good way to get a broad scope of modern and classic pieces, and perhaps find a few new authors to love.
An anthology all about the most glorious of holidays for those of us who delight in darkness and revel in terror and frightful stories? You know I’m more than game.
These fourteen all-new stories feature a few writers I was familiar with, but mostly people I’d never read before—which I consider a plus, as one of the things I really enjoy about anthologies is finding new voices to love. I would have liked to see a little more balance between genders: there were eleven stories by men and only three by women in the collection.
This was a very fun-loving (in the darkest way possible) set of stories and I really settled in to reading each story just for the pure fun of it. Each one takes on different ideas about what makes Halloween creepy, from body-snatchers, to serial killers with a thing for decoration, to things that go bump under the bed, to creepy kids, and more.
The stories are not always well-written, often sliding into that “telling” instead of “showing” zone that inexperienced writers fall prey to. I ended up rating each story individually between 3 and 4 stars, which is why the collection as a whole gets 3 stars from me. But what it lacks in sophistication, it definitely makes up for in imagination and pure originality.
All the love seeping off these pages for Halloween is clear and these stories truly evoke the season: carving pumpkins, leaves crackling underfoot, never quite knowing who is behind the masks around you. . . It makes me want to seek out more Halloween-based stories and collections!
My two favorite stories in the collection were “Vigil” by Chad Lutzke—dark and compelling with excellent visuals, and one of the quieter stories—and “Masks” by Lisa Lepovetsky, which really pulled me in from the start and created believable characters and a tense, darkly delicious situation.
I definitely recommend this book to horror and Halloween fans. It is a lot of fun and a very enjoyable read that is perfect to get you gearing up for the big night later this month!
My thanks to Corpus Press and Erin Sweet Al-Mehairi for sending the Night Worms copies of this one to read and review.
The Bone Mother is a very unique set of interconnected short stories. Each story begins with an old (and often haunting) portrait or illustration and each is told from the first person.
The stories have a dark aura, but often the true depth of the darkness isn't uncovered until the very end. Demchuk certainly has a flair for making the reader feel as though they've missed a step in the dark—feeling that strange plummeting of your stomach, the truth of what you though you knew ripped out from under you.
While I liked the interconnected structure, I felt that the world of the stories could have been explored more. The stories are so short, most of them just a couple pages, that I never really felt attached to any of the people or their specific narrative. But at the same time, each story didn't seem to further the world-building enough that I felt I had a full picture of this place, the timeline between characters, or the events that happened there by the time I finished the book.
Though the writing is captivating and there are some truly scary moments, I felt this narrative was just too scattered for me to really connect to it, which would have been fine if it were just a short story collection, but as they are meant to be linked, it left me wanting more cohesion and finality.
I would definitely be interested to read more writing by this author. He has a strong and unique voice, and I love that he decided to shine a light on Russian folklore and history in this way.
My thanks to Chizine Publications for sending copies of this one to the Nightworms to read.
This is an important collection, and a hugely successful one in my opinion. I have already been sharing my love for it and will definitely be recommending it to people who want a good horror anthology, are interested in trying out some new authors they might not have heard of, or just can't get enough of the ladies of horror fiction!
One of the main reasons I was itching to get my hands on this book is because of the King curated collection of the same theme that didn't feature a single female author. Well, Amber Fallon was like, we don't need any smelly invitation to be in your collection, we will just make our own. And so she did. BAM.
There are some women who have already made a name in the horror community in this collection as well as some I'd never read before. I loved the diversity of the stories, the different styles, settings, and voices that were brought to the table.
These three were my favorites:
Damien Angelica Walters's story that opens the collection, "The Floating Girls: A Documentary"—someone remind me to go buy her new book IMMEDIATELY. What a brilliant, inventive story, one I will definitely read again.
"Wilderness" by Leticia Trent has major Shirley Jackson vibes mixed with Trent's effortless prose. Creeping dread levels high!
Nadia Bulkin's "And When She Was Bad" has me moving her books up on my TBR list. I've not yet read any of her books and if this story is any indication, I need to get started!
I am grateful, impressed, and overjoyed that Fallon curated such a great collection. In social and political times like what we are currently going through, it is even more important than ever to support artists, especially women. Writers get to the truth. Stories show us our fears, our weaknesses, and how we might persevere.
The horror genre tends to be male-dominated, but this is an in-your-face reminder that ladies have something to say too, and it's just as badass and downright terrifying as anything that men are bringing to the table.
I can't say enough good things about this book. It is one that horror fans should definitely collect and take note of—these writers are damn talented and I can't wait to uncover their backlists and see what they might come out with next.
My huge thanks to WordHorde for sending me a copy of this one to read and review.
This was my 100th book of 2018, and it couldn't have been a better choice. In fact, it might be my favorite book of 2018 so far.
Some books just really hit you in your heart.
This book, it was more like the heart, gut, throat, chest—a full body knockout.
Karen E. Bender’s stories in this new collection are something different, something necessary for our fragile, tumultuous social and political landscape. She begins in small moments in the lives of her characters and crafts emotional, compelling stories that draw you in, until finally you realize the whole story has been about something much larger the whole time.
A woman struggling to find her way and keep herself afloat goes on three interviews, but her interviewers are all stuck in their own loops of self-misery and can’t see beyond the haze of their own problems, however large or small, and it bleeds across the interviews in an unexpected way.
A girl stuck going to Hebrew school twice a week worries about divide between her Hebrew school self and who she is with her friends at her public school, while in the background, violent crimes are perpetrated against people of her faith in other countries.
In the one genre story set in a dystopian/futuristic landscape, a woman who is lucky to have a job in the diminishing market reads complaints from and awards monetary compensation to people who dislike their jobs but are unable to leave due to restrictions from the government. She is given a promotion, but the complaints take on a darker edge and she struggles to understand the reason behind it all.
Each story is startlingly simple, full of those everyday occurrences that make life both mundane and unique. From simple interactions between strangers in an elevator or on a plane, to the longer narratives, there is a simple clarity, a pure brilliance as Bender turns a light—fiercely—on what is really going on, what really matters.
More than just casting our reflection back at us, these stories dig to the center of socio-political issues in a way that is innately human. You can't help but to feel at the very minimum the unsettling, like walking on uneven ground in the dark, that the stories bring up in your gut. There is something wrong here, I kept thinking, but how can I fix it?
Yes—how do we fix it? Are we, as a country fixable? We are good at commenting on the problems that we see, but are we ready to dig to the root of the problem, to get in there and really clean up the mess we've created?
What will it take?
Reading books like this remind me why writing and reading is so important. Fiction has a voice, and it has something to say, something we should all be listening to.
Huge, expansive and never-ending thanks to Counterpoint Press for putting an ARC of this book in my hands to read and review. It is definitely one I will be recommending to everyone. This book is out in November.
Associate editor, amateur photdographer, bibliophile, and occasional sleuth.