Cruel Mercy is my first foray into the Detective Sergeant Aector McAvoy series following the burly, fiercely determined, and strongly moral Scotsman (of which this book is the sixth).
I was a little apprehensive to dive blindly into a series following a character I had not yet read anything about—I imagined attempting to read Harry Potter and the Half-Blood Prince without having the faintest idea of what a Muggle was, or a Dumbledore, or what expecto patronum meant, or barely even knowing that Harry Potter was the one with the glasses and the unlikely scar on his head shaped like a weather phenomenon.
Fortunately, the only thing I felt after being glued to the pages of Cruel Mercy, was that I needed to find the other books in this series as quickly as possible!
While you’ll definitely be missing out on some important character building—I couldn’t help but feel that Pharoah, McAvoy’s boss, and Roisin, his wife, are extremely important characters who do more than occasionally call on the phone in the previous installments--Cruel Mercy does an excellent job of working as a standalone novel while introducing new readers to a vivacious, intelligent, and rugged detective in a fish-out-of-water situation.
McAvoy is sent across the pond to New York City to investigate the disappearance of his wife’s brother, and a lot is resting on the investigation since the two people he was last seen with, an up-and-coming Irish boxer and his promoter are attacked in an apparent mob hit in the woods upstate.
There is a tangled web of lies, mob secrets, and long hushed-up mysterious deaths and disappearances that don’t seem connected at all until McAvoy starts digging deeper than is wanted by everyone involved.
The U.S. authorities are deep in the pockets of the rival mob groups and have their own aims in sight, including keeping McAvoy in the dark. But it only takes one black sheep, or one solitary figure who wants to see justice done. . .
The plot of this book is so complex and completely bursting with very realistic details about the city, the organizations involved, and the potential corruption, that it definitely was one of the most realistic crime fiction books I have ever read. Things are not black and white, there is not just a cast of four or five characters, it isn’t always about a serial killer with multiple personality disorder.
David Mark’s book shows a full spectrum of ideas, I learned about the underground boxing world, mob factions and families, corruption in police departments, and seeing the U.S. through the eyes of a foreigner (always an enlightening experience).
It is definitely a dark book, especially in flashbacks where we eventually realize there may be no hope of escape or release for the characters therein, but I think, in the end, it is a redemptive one and one that reflects on the struggles of our own times.
We do not live in times that are black and white, we live in the murkiest grey. Whether it seems easy to label people one way or the other, it is not—just look at our most current election cycle, people being branded one thing or the other, it is so easy in these times of instant media.
I think it is important, maybe more important than ever to read fiction that speaks truths.
We need to delve into what makes us uncomfortable about not having things strictly separated into right and wrong, true and false, black and white. And sometimes, fiction speaks truer than fact. Sometimes the light at coming full circle in a story helps you hold onto what really matters.
And now, a special interview with author David Mark!
Shelf Stalker: First, a few warmup questions. What are you currently reading?
David Mark: As ever, I’m reading several books at once. I sometimes wish I had more eyes. Am loving The North Water by Ian Maguire, and Bring Up the Bodies, by Hilary Mantel. I tend to leave books in different rooms of the house and read whatever I’m nearest.
SS: Who are your top three authors and why do they inspire you?
DM: John Connolly, because he has shown how to keep an ongoing series fresh and relevant. Sebastian Faulks, because his use of language is so beautiful it makes me want to kill him out of jealousy. And Hilary Mantel, as she is Hilary Mantel.
SS: If you could have any superpower, what would it be?
DM: I would quite like to be invisible, but as a novelist who spends most of his life in a darkened room, I’ve kind of already got my wish. So I think I would opt for some sort of mind-reading powers. I’d love to know what on earth people are thinking, or if indeed they actually are. Characters in novels have to have some degree of consistency and causality to their actions. Sadly, real life is not so obliging.
SS: Though this book could definitely be read as a standalone, it could be some readers’ first foray into the series—as it was mine, though I think I’ll go back and start from the beginning now. You’ve got me hooked! For readers who might not be familiar with the McAvoy series, what are a few important (or interesting) things to know about this Scottish detective and his past experiences before diving in?
DM: I’m pleased to hear that it works for newcomers as well as seasoned McAvoy fans. That was the idea. I would rather new readers approached it without knowing too much of what has come before but here’s some of the basics. Aector McAvoy is a sergeant on the Major Incident Team in Hull, Yorkshire. He’s a huge Scotsman with a tendency to blush and knock things over and who looks like he would be more at home holding a claymore and wearing a kilt in a bygone age. His life revolves around his wife and children, whom he adores, and his boss, Trish, who is a little bit in love with him. He’s brave, but doesn’t really believe he’s any type of hero, and while clever, he knows he’s not a genius. He follows the evidence wherever it goes, which is why he has so many scars. He doesn’t like upsetting people, and if he hits you hard enough there is a good chance your head will come off.
SS: This is the first McAvoy book set in the United States, or anywhere overseas for that matter. What was the motivation to take Aector so far away from his comfort zone?
DM: I know that McAvoy is synonymous with Hull and I don’t intend for that to change but I felt the time was right to remove a few of his comforts. Without his wife, Roisin, and his boss, he is never quite as sure of himself or whether he is on the right path. Given that there are some real moral ambiguities in this story, I thought that would be an interesting dynamic. I had planned to write a very different kind of New York novel. I had in mind something that was very Ed McBain or a Manhattan version of David Simon. But it occurred to me that to do those kind of stories justice, I would need to write with an authentic voice. I would need to write from the perspective of somebody who knows those streets and given that I had never been to America before, that just seemed absurd. So I decided that the "stranger in a strange land" concept might be a better fit. I wanted the reader to experience New York through the eyes of a blundering outsider, and that is definitely a voice I can find within myself.
SS: While reading this book, I really felt like I had a good picture and feel of that crazy city that never sleeps and the places described. I heard you were able to visit NYC while doing research for the book. Can you share some of that experience? What are some of the most striking differences from your hometown?
DM: There is an air of madness to New York. It’s not just one city—it seems like several different places all crunched together. The result is this patchwork of disparate cultures and influences. And yet it fits together to form this one homogenous entity that is inherently New York. People identify as New Yorkers before they identify as Americans. In that regard, it’s not dissimilar to my usual setting. People in Yorkshire say they are from the North. That’s the bit they’re proud of. In almost every other aspect, it’s a whole new world. If people in Hull were given access to the kind of foodstuffs that Manhattan has to offer, the whole of the UK would sink inside six months thanks to increased bodymass.
In terms of how I researched the book, I’m not 100 percent sure I can remember. There was a lot of drinking! But it would be fair to say that I don’t feel able to write about a place until I have experienced it and there was no way I could write the book without at least breathing in the New York air. So in essence it was a case of coming up with some good ideas for locations and trying to find a real place that worked. If I needed an old church and a boxing gym and two Irish bars, it was a case of looking at a lot of websites and coming up with a shortlist of places that might be right. It was important to me that I didn’t just pick places at random. Certain characters would only visit certain locations and live in certain types of place. There has to be a truth to your fiction. Characters need to behave like real people. Eventually I had a good long list of places that the characters would be likely to visit and where I would enjoy taking McAvoy and I booked myself and my partner a three-day break. We stayed in the hotel that would eventually become McAvoy’s hotel room and dined and drank in the restaurants and bars where he spends his time. We stood shivering outside the police precinct where the New York detective who becomes his ally would have worked. It is such a city of contradictions. It seems to be at once incredibly affluent and utterly destitute and proof of both can be glimpsed in the same panorama.
SS: Might you also talk a bit about your writing process? Your daily process while you are writing as well as what is it like to write a series—keeping all those plot threads straight! Wow!
DM: I’m very lucky that I have the kind of mind that is perfectly suited to writing fiction and which is horribly ill-suited to everything else. I take notes now and again and sometimes find scraps of paper with random words and aide-memoirs scribbled upon them but by and large I think of my skull like one of those candyfloss machines. I just swirl a stick around in there and ideas stick to it. The story I’m living and breathing then squats there in my head and pushes everything else out. Sometimes I look at the clock and I’ve lost a day and I realize I haven’t been to the bathroom since dawn. I write a chapter a day, no matter what. I’m at my desk by 9 am, drinking coffee and grinding my teeth. It’s delightfully masochistic. I kind of enjoy the agony of it, which sounds very pretentious for a writer of dark thrillers! As soon as it’s done, my brain just kind of flatlines for a bit. Then it starts preparing for the next project. Two years later, when the book is in people’s hands, I’ve largely forgotten what it was about. Sorry!
SS: What is essential to writing good crime fiction? Do you stick to some sort of formula or do you break all the rules? Do you read a lot of crime fiction or thrillers as well?
DM: I read everything I can get my hands on. I love thrillers and psychological fiction but it is rather difficult to read them for pleasure now that it’s my day job. It’s hard not to read with an air of comparing the market. I don’t really take any notice of rules, either in the writing process or in life. Actually, I do have one—if the novelist has mentioned the make and model of a car by the end of the first paragraph, the book isn’t for me. And for God’s sake, don’t start off with a dream. For me, it’s just a case of meeting interesting people and twisting preconceptions on their head. Listen to the radio a lot. People who phone DJs are particularly inspiring—they always seem like the sort of person who could be a killer or the killed. Listen to your inner voice. When some dullard is telling you about their tedious problems, think of ways to kill them, and why. It’s less risky than actually doing it. And you think I’m joking.
SS: Do you have plans for many more adventures with McAvoy and company? Where might he travel next?
DM: I’ve just got back from Iceland, and some of the next book will happen there. My American publishers still haven’t made an offer for that one yet so if you want to read it, start bombarding them with demands.
SS: Thank you so much for your time! I so enjoyed reading the book and look forward to more mysteries and crimes to solve with Aector!
DM: Thank you. If you ever come to Hull, I’ll show you around.
Get your copy of Cruel Mercy or the other DS Aector books
Find out more about David Mark
Find out more about the publisher, Blue Rider Press (Penguin Random House)
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Associate editor, amateur photdographer, bibliophile, and occasional sleuth.