I don't read much YA fiction. I know that the genre has changed a lot, going from not existing at all to now being for adults and not just teens, but whenever I've read books specifically marketed as YA, I tend to find that they just don't hold the same weight as so-called "adult fiction."
This doesn't mean that they can't be well written or have interesting, developed characters (though in my experience this is generally not the case). YA is like the candy, the empty calories that are fun and tasty enough but don't really fill you up the way a true meal, like a literary fiction book, will.
But when a new book by Marisha Pessl comes out, it doesn't matter who the audience is supposed to be—that's a book I'll be buying.
My first experience with Pessl was Night Film, and when the advance copies came in at our bookstore, I just knew I had to have it. Such a striking cover, the bare bones of the plot instantly spoke to me, and flipping through, I could see the hints of the multi-media pages and I was smitten.
It did not disappoint. Pessl has a strong, enticing voice, does not shy away from the dark moments, and goes to interesting places with her characters. I read Special Topics in Calamity Physics soon after and though it didn't sing to me like Night Film, I could see why people were captivated by it.
And it is easy to see now, with this newest book, why Pessl would be interested in YA. Special Topics centers around a group of young adults too and Pessl obviously has a bit of a lock on that demographic. And yet, that book was not called YA and is still not marketed to younger readers. Why is that? The themes do not seem too complex or too explicit compared to some other YA books. Is it too long? Just better writing? What is it that makes a book YA?
I'm not sure I'll ever really be able to answer that question, but unfortunately, it is a category that, for me at least, the marketing is not working. I have been burned before and I will continue to shy away from books branded with this label.
All this to say that I bought Pessl's latest book with no hesitation, but I did begin it with a little trepidation. I didn't know what to expect: would her writing be different? Dumbed down? Would the plot be less complex or interesting?
The short answer is no.
Right away, her voice is apparent. And it is obvious throughout the book that she didn't change her writing style at all—this is Pessl through and through. Similar to her other two books, it is written in first person, with one main protagonist as our guide throughout.
Without spoiling the plot at all, there is a repetitive nature to some sections of the book, and I found them to drag, sometimes unnecessarily and to the detriment of the plot.
The main character Beatrice is a bit thick, honestly, and I wanted more from her. She seemed to mostly react to everyone around her rather than make decisions, which is my least favorite type of character. Action is a must.
The rest of the characters were paper-thin wisps of tired stock elements. I think the group of five (and then six once we start discussing Beatrice's boyfriend who mysteriously died) is a bit too much for the book to handle.
The plot itself ends up being more of an investigation of said mysterious death, which I couldn't quite wrap my head around the logic of that being the locus that will solve their predicament. It felt like a forced way to rehash an old storyline.
I read the book in one sitting; it is definitely short and compulsive enough to read right through. I think people who enjoyed books like If We Were Liars will be fans of the strangeness and dreamy propulsion of this book, but it didn't quite move me the way I've come to expect a book by Pessl to.
In the end—if forced to categorize it—I would call this a YA book. Though it has shades (sometimes a bit blatant) of The Secret History, If We Were Villains, and Pessl's own Special Topics, I think this book definitely caters toward younger readers. It is still an enjoyable read, and fans of her work and mysteries in general will enjoy this one.
And, there is another book on the way from Pessl, so even if this one wasn't for you, there is more to come.
Associate editor, amateur photdographer, bibliophile, and occasional sleuth.