Having (somehow) not picked up Fiona Barton's debut The Widow last year despite the fervent admiration that went around for it, I jumped at the chance to read her second book early. When I finished after two intense sittings, I scrambled to the book store and quickly devoured her first as well!
I do enjoy reading thrillers, but generally I feel let down by them by the time I finish. The plots tend to be too predictably easy to solve—my personal rule is that if I've figured out the "twist" within 50 pages, it isn't a very strong narrative. (The downfall of the rule being that I have to read the whole book to find out if I'm right or not!) But Barton's books felt very different from that model of storytelling.
The characters are just as crucial as the plot, or perhaps even more so, and while this may seem like a small detail or even an obvious statement, I feel that it is something that is lacking from a lot of thrillers on the market. There is a lot of care put into these characters—you get to know them and through them you feel the story more than just read it.
For me, that is what makes a story. It isn't just the straight telling of a narrative, it is how the characters lead you to their story, through their eyes, and through them you fall into the story and find yourself truly caring about what happens.
The Child centers around the skeleton of an unidentified infant that is uncovered at a construction site in London. There are four alternating perspectives that swap between each chapter:
Kate, an intrepid reporter, takes an interest in the case and starts writing about it and asking questions.
Angela reads the articles and is certain the skeleton is her first born child, who was stolen right out of her hospital room decades earlier.
Emma sees the articles too and she is completely shaken, fearing some deep-buried secret from her past may be coming back to haunt her.
And Jude, Emma's mother, who only recently came back into her daughter's life after throwing her out when she was sixteen.
Kate's digging will uncover the connections between these women, the past, and the secrets they've hidden from each other and themselves.
There are a few recurring characters in Barton's books, but it isn't really a series; the story isn't about the reporter, Kate, and her dogged search for the truth, though both books include her and she is integral in both. Each book instead felt very much like its own entity.
Similarly, both books alternate perspectives of characters, but while temporal fluctuation between the past and the present was a crucial factor in The Widow, The Child often marks the how the same time passes for each character—a different but very effective technique that kept me turning the pages!
By no means are these characters perfect—they are flawed, sometimes even despicable—but they are human and their mistakes make them real and relatable.
By the time I got to the conclusion of The Child, I realized I'd been holding my breath a lot, waiting to see what would happen—I was really emotionally invested in these characters! That's what good writing will do and it's worth running out to get Barton's books to see what I mean.
This post is part of The Child's release blog tour! Thank you for inviting me to be a part of this, Berkley Publishing!
You can visit Fiona Barton online at fionabartonauthor.com and on Twitter @figbarton. Join the conversation using #TheChild.
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Associate editor, amateur photdographer, bibliophile, and occasional sleuth.