“Am I, this trembling, hallucinating ball of sinew, really any stranger of a creature, any more improbable of an object, than a ghost?”
If you are looking for something a bit different to read, something literary, but with a compelling narrative and totally innovative plot, this is it.
The main story revolves around Nick and Hannah, a couple who are not quite sure if their relationship will make it. To try something new and escape the city, Hannah takes a job as the live-in director of the Wright Historic House, a museum in the middle of nowhere dedicated to a nineteenth-century philosopher who barely anyone has heard of.
There is something about the house, a creaky old maze, enticing and creepy at turns, that draws Hannah deeper and deeper inside Edmund Wright’s research. Nick, the narrator of the story, doesn’t realize that something is wrong with her until she is missing one morning. And then he is left retracing her steps to see what happened, what he missed, and if she can be found.
I loved this one. It will almost certainly be in my top ten for the year. (A huge thanks to Belletrist, without whom I wouldn’t have read this one!)
This is not your typical ghost story or haunted house novel—but that is one of the reasons why I loved it. “Haunted house” might be my favorite narrative to read—there is just so much you can do with that idea! I have read a bunch of them and am always looking for new ones . . . (suggestions please!) And this one tried something really new to great effect. I loved every minute of it.
I spent a lot (and I mean A LOT) of time thinking about and trying to wrap my head around ghosts and the idea of haunting as it is presented in this book. First of all, it takes the story a long time to get to these elements—in fact, it is definitely more about the people, the living people and their own psychology than any ghosts.
But in any case, how they haunt, if they even do haunt, and what a haunting might be (something your own mind creates the space for? Something enacted upon you?)—I don’t want to get into it too far since that is part of the mystery that the book threads along, but it presents a very unique concept of ghosts and what a haunted house is.
I wouldn’t say that this is a scary book by any means. It is quiet, introspective, and lyrically haunting. There is a lot of character development and such beautiful writing, but a very ephemeral nature. It touches on depression, stress, and the potential of the psyche through the lens of a relationship—how much do you really know about your partner?
Nick, as he narrates, is really telling Hannah’s story, but there is this gauzy veil around her; we don’t really know what she was thinking or feeling, only his interpretation of it. I enjoyed seeing how his thoughts grew and changed across the book.
I found the plot to be compelling—I didn’t see what was coming and the mix of an intriguing plot, a good psychological mind puzzle, and great writing that I could linger on was a perfect combination for me. I like a book I can think about, puzzle through, one with characters that feel real and complex, and one with enough buildup to let me imagine that there is more to the world of the story than we know.
Associate editor, amateur photdographer, bibliophile, and occasional sleuth.