I mentioned reading two epic novels back-to-back in my post about The Resurrection of Joan Ashby. Well, here comes the other one.
John Boyne returns with The Heart’s Invisible Furies, a novel spanning the lifetime of a Dublin-born lad named Cyril Avery (but he’s not a real Avery, you know, as he was adopted, and as his adoptive mother and father like to remind him all the time). Cyril knows pretty early that he is gay, but any sort of homosexual lifestyle is not condoned in the slightest in Ireland while he is growing up there, so he spends much of his life hiding who he is and, for various reasons, not really understanding what it means to be loved.
Navigating love, tragic loss, confusion, success, family, and the curious cosmic turnings of the universe across several countries and multiple decades, Cyril tries to fit in, to find his place in the world, and to be at peace with who he is.
Boyne has an innate skill for dialogue, cutting surgically straight through situations with such clear, concise language you can see the heart of the matter literally beating right there, on the surface of the page. It makes you want to laugh at the absurdity of the situation, while at the same time cry because it is so obvious that some people just won’t ever be able to unclench their hearts and relinquish their hate.
This book could almost be required reading in our nation today with the state of things the way they are. The book lays out the types of bigotry, hatred, violence, and even nonchalant dismissal of people who are deemed other and therefore wrong, shining a fierce light on the behavior of people toward other people. In the end, we are all people who deserve the same amount of respect and chance to life their life no matter what you’ve been conditioned to believe.
This book discusses gay men, unmarried women who are pregnant, people with AIDS, and other minority groups who have been and sadly sometimes continue to be marginalized, ostracized, and even brutalized and murdered for their supposed otherness. The book takes on these topics in a way that is direct and real, through the history of place and how thoughts and opinions changed (or didn’t) as the years passed, just as Cyril experienced them.
While an inherently tragic figure who makes more than a few mistakes and finds himself in tumultuous situations more than a couple of times, Cyril is a very likable character who is the reader’s constant eyes and ears in this world. I found myself getting indignant on his behalf more than once, coming up with some choice remarks for his abusers, but Cyril tended to hold back and was even-keeled, just a constant observer.
I found him endearing and flawed, and by the end of the novel, I was missing him already, sorely wishing I could have seen more of the intervening years of his life that the novel skipped.
In frank, everyday conversations that Cyril has with the wide cast of characters, conversations that are full of easy hate, lack of understanding, and sometimes friendly voices of reason as well, the reader develops a sense of the world he lived in, the fear of persecution he experienced, and the trauma that not being able to be yourself can inflict on a person. A world that many people like Cyril did live in, and a world that many people are currently living in, right here in the freedom of the United States in 2017.
On a smaller scale, it is also the story of Cyril’s personal discovery, a coming of age piece told over the years of his life, as he figures out who he is. He and Joan Ashby are not so different after all—everyone is looking for a way to be happy, to find some semblance of what that might mean, and then catch it and try to hold onto it with all their might—with all their heart.
Thank you to Hogarth Press for sending me an ARC of this title.
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Find out more about the author, John Boyne
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Find out more about the publisher, Crown Hogarth (Penguin Random House)
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Associate editor, amateur photdographer, bibliophile, and occasional sleuth.