I took this book on my recent trip to NYC and it definitely added an extra layer—reading about Piper and her friends and how they grew up on the Upper East Side of Manhattan while actually being there. Hers is an exclusive and privileged view, one filled with restrictions (both self-imposed and adult-imposed), rule-breaking, and tennis.
The true crime–memoir is not entirely a new genre, you could say that The Stranger Beside Me, Ann Rule's incredible 1980 book on her experience as Ted Bundy's friend definitely fits the bill.
But it is one that is currently breaking through the ranks. I have found several true crime books in the last few years that are really compelling because of their authors' unique perspective; it is very different from reading a book—however well-researched—that is done by someone who wasn't personally involved.
Similar to a few of my favorites, Maggie Nelson's The Red Parts and Alexandria Marzano-Lesnevich's The Fact of a Body, this book chronicles a story that is very personal and immediate for the author.
Gary Wilensky was Piper's personal tennis coach when she was fourteen. She rode in his car alone, went to lunch with him, her parents trusted him. But that all changed when he committed suicide after a failed attempt at kidnapping another of his students.
Who was this man that she confided in, felt comfortable around, thought of as one of her friends? Why has the case always followed her, almost haunted her?
Piper delves deeply into the story of her own adolescence, finding universal truths about coming of age, no matter where you grew up. She looks down the avenues of obsession that are open to us all, comparing her own walk of that line with the very wrong direction that Gary took. The book contemplates the facts of Gary's case and how that meshes with what she knew of him.
Though I loved Piper's story and I wouldn't have cut any of it, I did wish there was a bit more focus on the case itself and the factual details about Gary, what happened, and how it came about.
This case is kind of weird because it is more of a what-if than anything else. No one really knows what he had planned or what would have happened. There is only the strange evidence, and the torment, he left behind.
This is definitely more of a memoir, a coming-of-age tale with true crime elements than a story about a crime. But Piper is a very talented writer and she has a way of drawing you into the story—I promise this one won't disappoint.
We all have been there: through the debilitating anguish, loneliness, depression, and obsession of young adulthood. Skirting the line of becoming an adult, but not quite there yet. Piper's effortless prose puts the reader in between the lines.
My thanks to the publisher for my copy of this book to read and review.
Assistant editor, amateur photdographer, bibliophile, and occasional sleuth.